"The Constitution of Literature" challenges the prevailing
understanding of the relationship between literature and democracy
during the seventeenth and eighteenth centuries, when both
literature and democracy were acquiring their modern forms. Against
the heroic story of criticism shaping the modern public sphere as
recounted by Habermas and his followers, it explores how different
resistances to democratized reading preoccupied the thinking of the
major English literary critics of the time. By paying attention to
how critics participated in a debate over theories of reading--its
processes for acquiring meaning from the page, its psychological
and social effects on individuals, and its diffusion across the
population--this book offers a new understanding of the political
history of early literary criticism.
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