Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus
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Modernist Fraud - Hoax, Parody, Deception (Hardcover)
Loot Price: R2,241
Discovery Miles 22 410
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Modernist Fraud - Hoax, Parody, Deception (Hardcover)
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Focusing on literature and visual art in the years 1910-1935,
Modernist Fraud begins with the omnipresent accusations that
modernism was not art at all, but rather an effort to pass off
patently absurd works as great art. These assertions, common in the
time's journalism, are used to understand the aesthetic and context
which spawned them, and to look at what followed in their wake.
Fraud discourse ventured into the aesthetic theory of the time, to
ideas of artistic sincerity, formalism, and the intentional
fallacy. In doing so, it profoundly shaped the modern canon and its
justifying principles. Modernist Fraud explores a wide range of
materials. It draws on reviews and newspaper accounts of art
scandals, such as the 1913 Armory Show, the 1910 and 1912
Postimpressionist shows, and Tender Buttons; to daily syndicated
columns; to parodies and doggerel; to actual hoaxes, such as
Spectra and Disumbrationism; to the literary criticism of Edith
Sitwell; to the trial of Brancusi's Bird in Space; and to the
contents of the magazine Blind Man, including a defense of
Duchamp's Fountain, a poem by Bill Brown, and the works of, and an
interview with, the bafflingly unstable painter Louis Eilshemius.
In turning to these materials, the book reevaluates how modernism
interacted with the public and describes how a new aesthetic
begins: not as a triumphant explosion that initiates irrevocable
changes, but as an uncertain muddling and struggle with ideology.
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