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The Writings of James Barry and the Genre of History Painting, 1775-1809 (Hardcover, New Ed)
Loot Price: R4,269
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The Writings of James Barry and the Genre of History Painting, 1775-1809 (Hardcover, New Ed)
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Examining the literary career of the eighteenth-century Irish
painter James Barry, 1741-1806 through an interdisciplinary
methodology, The Writings of James Barry and the Genre of History
Painting, 1775-1809 is the first full-length study of the artist's
writings. Liam Lenihan critically assesses the artist's own
aesthetic philosophy about painting and printmaking, and reveals
the extent to which Barry wrestles with the significant stylistic
transformations of the pre-eminent artistic genre of his age:
history painting. Lenihan's book delves into the connections
between Barry's writings and art, and the cultural and political
issues that dominated the public sphere in London during the
American and French Revolutions. Barry's writings are read within
the context of the political and aesthetic thought of his
distinguished friends and contemporaries, such as Edmund Burke, his
first patron; Joshua Reynolds, his sometime friend and rival; Mary
Wollstonecraft and William Godwin, with whom he was later friends;
and his students and adversaries, William Blake and Henry Fuseli.
Ultimately, Lenihan's interdisciplinary reading shows the extent to
which Barry's faith in the classical tradition in general, and the
genre of history painting in particular, is permeated by the
hermeneutics of suspicion. This study explores and contextualizes
Barry's attempt to rethink and remake the preeminent art form of
his era.
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