Haunted Images takes a close look at a range of treatments of
the Holocaust in film, using sustained textual analysis to
radically rethink film as a witness to history. Questioning the
legitimacy of persistent claims that the Holocaust remains
'unrepresentable', this volume seeks to redefine the singular
challenges this event presents to filmmakers, suggesting that
filmic representations address the Holocaust as much through what
they leave unseen -- through silences and ellipses -- as through
what they visualise directly. Discussing films such as "Kapo"
(1960), "Shoah" (1985) and "Histoire(s) du cin?ma" (1997), this
important new study provides a compelling reading of how European
cinema has responded to the particular problems that the Holocaust
presents to filmmakers, and suggests compelling fresh insights into
the relationship between visual art, cultural trauma and the power
of the image.
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