Filling a significant gap in contemporary criticism of recent prose
fiction, this book offers a provocative analysis of the work of
Nobel Laureate Olga Tokarczuk, situating her output in comparative
contexts. The chapters making up the volume range from
myth-critical focused readings, to interdisciplinary and
intercultural perspectives. Tokarczuk's fiction is explored as
mythopoeic and heterotopian experimentation, as well as being read
alongside other arts and other authors of various national and
linguistic backgrounds. This wide-ranging collection is the first
monograph on Tokarczuk in English.
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