China and Japan both have traditional art forms that have been
highly developed and long studied. In these original essays, noted
film and art scholars explore how the spatial consciousness,
compositional techniques, and construction of images in these
traditional and modern art forms also inform filmmaking in the two
countries, so that film and art share the same culturally defined
"methods of seeing."
This first major study of the relationship between Chinese and
Japanese art and film brings together writers from the United
States, Europe, Australia, China, and Japan, including Japan's
well-known film critic Sato Tadao and Beijing Film Academy's Ni
Zhen, screenwriter of the Oscar-nominated film Raise the Red
Lantern. The essays discuss the influence of the traditional arts,
including scroll painting and printmaking, on Chinese and Japanese
cinema and demonstrate that national cinemas cannot be completely
understood without considering their indigenous traditions.
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