"Tomko blazes a new trail in dance scholarship by
interconnecting U.S. History and dance studies.... the first to
argue successfully that middle-class U.S. women promoted a new
dance practice to manage industrial changes, crowded urban living,
massive immigration, and interchange and repositioning among
different classes." Choice
From salons to dance halls to settlement houses, new dance
practices at the turn of the century became a vehicle for
expressing cultural issues and negotiating matters of gender. By
examining master narratives of modern dance history, this
provocative and insightful book demonstrates the cultural agency of
Progressive-era dance practices."
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