Thrust into the international spotlight in 1966 when "The Hunt,"
his critique of the Franco regime, won the Silver Bear at Berlin,
Spanish filmmaker Carlos Saura (b. 1932) has remained an abiding
presence and frequent victor at worldwide cinema competitions ever
since.
Best known in the United States for his Flamenco trilogy--"Blood
Wedding," "Carmen," and "A Love Bewitched"--he also received Oscar
nominations for "Mama Turns a Hundred," "Carmen," and "Tango."
Saura's movies are frequently ambiguous, sometimes controversial,
and always narratively complex. In many of his films, such as
"Cria" and "Goya in Bordeaux," he creates sophisticated expressions
of time and space by fusing reality with fantasy, past with
present, and memory with hallucination.
"Carlos Saura: Interviews" collects interviews the filmmaker has
given in Spain, France, Germany, and Canada. All of the
conversations appear here in English for the first time, and, as
such, they represent a treasure trove of comments by Saura on his
own work.
Covering the entire spectrum of his career, including his latest
film "Bunuel and King Solomon's Table," the interviews discuss his
early contributions to the New Spanish Cinema, his documentaries
and documentary-like urban films, his cinematic essays on
historical figures, his dance films, his adaptations of literary
and theatrical works, and the films rooted in his personal
reminiscences of the Spanish Civil War.
In addition, the collection touches upon Saura's efforts as a
photographer, opera director, and novelist and explores his
friendship with filmmaker Luis Bunuel. These interviews disclose
Saura's amazingly consistent approach to his cinema, his role as an
auteur, and the principles on which his creativity and intuition
continue to build in innovative ways.
Linda M. Willem is professor of Spanish at Butler University.
She is the author of "Galdos's Segunda Manera: Rhetorical
Strategies and Affective Response" and editor of "A
Sesquicentennial Tribute to Galdos." Her work has been published in
"Literature/Film Quarterly," "Bulletin of Hispanic Studies," "Latin
American Literary Review," "Letras Peninsulares," and "Critica
Hispanica."
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