This volume's essays focus on the relationships between texts
and readers, images and viewers, performance and audience during
the Enlightenment in France, England, Scotland, Ireland, Germany,
and North America. The essays range from exploring the effects of
rococo space on religious experience to analyzing the transmission
of texts across national and temporal boundaries.
Contributors and Contents:
Michael Yonan, The Wieskirche: Movement, Perception, and
Salvation in the Bavarian Rococo
Sandro Jung, Thomas Stothard, Illustration, and the Royal
Engagement Pocket Atlas, 1779-1826
Hector Reyes, Drawing and History in the Comte de Caylus'
Recueil d'antiquites
Marc H. Lerner, William Tell's Atlantic Travels in the
Revolutionary Era
Katrin Berndt, Civic Virtues in the Restless Polity: Sir Walter
Scott's Fergusonian Vision of British Civil Society in Redgauntlet
(1824) Danielle Spratt, Gulliver's Economized Body: Colonial
Projects and the Human/Animal Divide in the Travels Julie Henigan,
Print and Oral Culture in the Eighteenth-Century Irish Ballad
David A. Brewer, Print, Performance, Personhood, Polly
Honeycombe
Zeina Hakim, Whose Story? The Game of Fiction in Early
Eighteenth-Century French Literature
Dorothee Birke, Between Direction and Diversion: Chapter Titles
in English Novels of the Mid-Eighteenth Century
Catherine Keohane, Ann Yearsley's Clifton Hill and Its Lessons
in Reading
Jennifer Germann, Tracing Marie-Eleonore Godefroid: Women's
Artistic Networks in Early Nineteenth-Century Paris
General
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