In 1428, a devastating fire destroyed a schoolhouse in the northern
Italian city of Forli, leaving only a woodcut of the Madonna and
Child that had been tacked to the classroom wall. The people of
Forli carried that print - now known as the Madonna of the Fire -
into their cathedral, where two centuries later a new chapel was
built to enshrine it. In this book, Lisa Pon considers a cascade of
moments in the Madonna of the Fire's cultural biography: when ink
was impressed onto paper at a now-unknown date; when that sheet was
recognized by Forli's people as miraculous; when it was enshrined
in various tabernacles and chapels in the cathedral; when it or one
of its copies was - and still is - carried in procession. In doing
so, Pon offers an experiment in art historical inquiry that spans
more than three centuries of making, remaking, and renewal.
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