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Music and the Modern Condition: Investigating the Boundaries (Hardcover, New edition)
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Music and the Modern Condition: Investigating the Boundaries (Hardcover, New edition)
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Two crucial moments in the formation and disintegration of musical
modernity and the musical canon occurred at the turn of the
seventeenth and the first half of the twentieth century. Dr Ljubica
Ilic provides a fresh and close look at these moments, exploring
the ways musical compositions shift to and away from ideological
structures identified with modernity. The focus is on European art
music whose grand narrative, defined by tonality and teleological
development, begins in the seventeenth century and ends with
twentieth-century modernisms. This particular musical "language
game" coincides with historical changes in the phenomenological
understanding of space and selfhood. A key concept of the book
concerns musical compositions that remain without proper
conclusions: if the wholesome (musical) work is a manifestation of
wholesome subjectivity, the pieces Ilic explores deny it,
reflecting conflict of the individual with previous beliefs, with
contexts, and even within the self as the basic modern condition.
The musical work is, in this case, still bounded and well-defined,
but fractured by the incapability or refusal to satisfactorily
conclude: the implicit cut forced upon it changes the expected
musical flow or - speaking in spatial terms - it influences the
musical form. By using the metaphor of space, Ilic explores: how
the existence of a separate self as a primary feature of Western
modernity becomes negotiated through awareness of the subject's own
independence and individuality; innerness as something entirely
separate from its surroundings; and the collective space of social
interaction. Seeing musical storytelling as a metaphoric
representation of selfhood, and modernity as a historical
continuum, Ilic examines the boundaries and relationships between
the musical work, the subject, and modern European history.
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