Schubert's late music has proved pivotal for the development of
diverse fields of musical scholarship, from biography and music
history to the theory of harmony. This collection addresses current
issues in Schubert studies including compositional technique, the
topical issue of 'late' style, tonal strategy and form in the
composer's instrumental music, and musical readings of the
'postmodern' Schubert. Offering fresh approaches to Schubert's
instrumental and vocal works and their reception, this book argues
that the music that the composer produced from 1822-8 is central to
a paradigm shift in the history of music during the nineteenth
century. The contributors provide a timely reassessment of
Schubert's legacy, assembling a portrait of the composer that is
very different from the sentimental Schubert permeating
nineteenth-century culture and the postmodern Schubert of more
recent literature.
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