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Art as Revelation - From the Luigi and Peppino Agrati Collection (Paperback)
Loot Price: R578
Discovery Miles 5 780
You Save: R152
(21%)
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Art as Revelation - From the Luigi and Peppino Agrati Collection (Paperback)
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List price R730
Loot Price R578
Discovery Miles 5 780
You Save R152 (21%)
Expected to ship within 12 - 17 working days
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Published to accompany the first time the Luigi and Peppino Agrati
Collection will be revealed to the public; the collection can be
viewed between May and August 2018. During the Festival of Nouveau
Realisme (New Realism) in Milan in November 1970, Christo removed
the white cloth in which he had wrapped the Monument to Vittorio
Emanuele II in the Piazza del Duomo and placed it over the Monument
to Leonardo da Vinci in the Piazza della Scala. This is viewed
today as a key event in the contemporary art scene in Milan, a
moment that Luigi and Peppino Agrati experienced live. They
immediately contacted the artist and commissioned him to create
works for the garden of their villa. Wealthy entrepreneurs, the
Agrati brothers shared subtle and sensitive insights into art that
fostered a deep understanding of the images that shaped their era.
This show is the first time their collection is being revealed to
the public, through a representative selection of Italian and
American works of art donated with generosity and foresight by
Luigi Agrati to the Intesa Sanpaolo. From a nucleus of sculptures
by Melotti to masterpieces by Fontana, Burri, and Klein, the
exhibition provides an in-depth examination of Italian 'Nuova
Figurazione' painting ('New Figurative Painting'), working its way
to the roots of the new 'Arte Povera' ('Poor Art'). The discovery
of American art coincides with the Agratis' acquisition of works by
the principal exponents of Pop Art - including the iconic Andy
Warhol and his monumental Triple Elvis - and by the Minimalists, of
which Dan Flavin's large neon work dedicated to Peppino Agrati is
emblematic. In a kind of multiple constellation side by side with
examples of Italian art, the collection reveals extraordinary works
by Robert Rauschenberg (acquired in large numbers from the end of
the 1960s to the 1980s), Cy Twombly (the original mediator between
American and Italian art), and conceptual artists like Bruce Nauman
and Joseph Kosuth, whose experiments with language are displayed in
a dialogue with those by Alighiero Boetti and Vincenzo Agnetti.
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