In this volume, Boldrini examines "heterobiography" the
first-person fictional account of a historic life. Boldrini shows
that this mode is widely employed to reflect critically on the
historical and philosophical understanding of the human; on
individual identity; and on the power relationships that define the
subject. In such texts, the grammatical first person becomes the
site of an encounter, a stage where the relationships between
historical, fictional and authorial subjectivities are played out
and explored in the double I of author and narrating historical
character, of fictional narrator and historical person. Boldrini
considers the ethical implications of assuming another s
first-person voice, and the fraught issue of authorial
responsibility. Constructions of the body are examined in relation
to the material evidence of the subject s existence. Texts studied
include Malouf s An Imaginary Life, Carey s True History of the
Kelly Gang, Ondaatje s The Collected Works of Billy the Kid, Adair
s The Death of the Author, Banti s Artemisia, V zquez Montalb n s
Autobiograf a del general Franco. Also discussed, among others:
Yourcenar s Memoirs of Hadrian, Tabucchi s The Last Three Days of
Fernando Pessoa, Gim nez-Bartlett s Una habitaci n ajena (A Room of
Someone Else s).
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