Although Eugene O'Neill's work has generated much scholarship,
his one-act plays have not received the critical attention they
deserve. Given that O'Neill began his career writing such plays,
including his justly famous "Sea Plays," associated with the
Provincetown Players, it is surprising that his one-acts have been
largely neglected. This collection aims to fill the gap by
examining these texts, during what can be considered O'Neill's
formative writing years, and the foundational period of American
drama. A wide-ranging investigation into O'Neill's one-acts, the
contributors shed light on a less-explored part of his career and
assist scholars in understanding O'Neill's entire oeuvre.
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