Written during and immediately after the 1914-18 War, Lawrence's
major fictions - notably The Rainbow and Women in Love - trace the
growth and contemplate the state of industrial England in the
twentieth century. Michael Black's introductory chapters show the
theoretical interest of Lawrence's writing-method, and how in
discarded draft material he was seeking the narrative modes of the
great novels which followed. The analysis of these finds Lawrence
seeking a modern form of spirituality as well as rediscovered
sexual relationships.
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