Terror, dread, and violence against civilian populations
constitute a true predicament of our contemporary political world.
Authoritarian governments develop methods to capitalize on the arts
in support of terror, where violence and trauma provoke more of the
same in a vicious circle. This book argues that the arts--from film
and literature to painting and comics--offers qualitatively
different readings of terror and trauma, readings that endeavor to
resist the exploitation and perpetuation of violence. The
contributors suggest that political inquiry into the phenomenon of
terror may benefit profoundly by developing non-reductive ways of
reading the arts.
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