"Unhistorical Shakespeare" argues that the way in which we study
history has significant bearing on what desire we study, and how we
study it. Menon argues that our embrace of difference as the
template for relating past and present produces a hetero
temporality in which chronology determines identity. In turn, such
an understanding of history fixes sexual identity as the domain of
the present and relegates nebulous desire to a thing of the past.
In contrast to this temporal-sexual reification, "Unhistorical
Shakespeare" outlines the idea of homohistory, which questions the
fundamental historicist assumptions of teleology, facticity,
citation, origins, and authenticity to lay bare their investments
in compulsory hetero temporality.
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