Investigations into how the brain actually works have led to
remarkable discoveries of late, and these findings carry profound
implications for interpreting literature. John Donne's probing
insights, expressed in his unique Metaphysical style, make his
amorous verse a ripe subject for cognitive analysis. This study
applies recent breakthroughs from neuroscience and evolutionary
psychology in order to deepen our understanding of Songs and
Sonnets. By applying findings from neurolinguistics to Donne's
work, Michael Winkleman presents a test case for the cognitive
interpretation of verse and, more broadly, advances the case of New
Humanism.
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