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Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism

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Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Hardcover) Loot Price: R2,358
Discovery Miles 23 580
Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Hardcover):...

Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Hardcover)

Magdalena Cieslak

Series: Remakes, Reboots, and Adaptations

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Loot Price R2,358 Discovery Miles 23 580 | Repayment Terms: R221 pm x 12*

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When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. The book analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. The book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. The book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.

General

Imprint: Lexington Books
Country of origin: United States
Series: Remakes, Reboots, and Adaptations
Release date: April 2019
Authors: Magdalena Cieslak
Dimensions: 233 x 160 x 27mm (L x W x T)
Format: Hardcover
Pages: 288
ISBN-13: 978-1-4985-6374-1
Categories: Books > Reference & Interdisciplinary > Communication studies > Media studies
Books > Language & Literature > Literature: history & criticism > Literary studies > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
Books > Social sciences > Sociology, social studies > Gender studies > General
Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
LSN: 1-4985-6374-0
Barcode: 9781498563741

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