Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Hardcover)
Loot Price: R2,358
Discovery Miles 23 580
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Screening Gender in Shakespeare's Comedies - Film and Television Adaptations in the Twenty-First Century (Hardcover)
Series: Remakes, Reboots, and Adaptations
Expected to ship within 12 - 17 working days
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When adapting Shakespeare's comedies, cinema and television have to
address the differences and incompatibilities between early modern
gender constructs and contemporary cultural, social, and political
contexts. The book analyzes methods employed by cinema and
television in approaching those aspects of Shakespeare's comedies,
indicating a range of ways in which adaptations made in the
twenty-first century approach the problems of cultural and social
normativity, gender politics, stereotypes of femininity and
masculinity, the dynamic of power relations between men and women,
and social roles of men and women. The book discusses both
mainstream cinematic productions, such as Michael Radford's The
Merchant of Venice or Julie Taymor's The Tempest, and more low-key
adaptations, such as Kenneth Branagh's As You Like It and Joss
Whedon's Much Ado About Nothing, as well as the three comedies of
BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming
of the Shrew, and A Midsummer Night's Dream. The book examines how
the analyzed films deal with elements of Shakespeare's comedies
that appear subversive, challenging, or offensive to today's
culture, and how they interpret or update gender issues to
reconcile Shakespeare with contemporary cultural norms. By
exploring tensions and negotiations between early modern and
present-day gender politics, the book defines the prevailing
attitudes of recent adaptations in relation to those issues, and
identifies the most popular strategies of accommodating early
modern constructs for contemporary audiences.
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