First published in 1992, this is the first study of the work of
Alice Munro to focus on her obsession with mothering, and to relate
it to the hallucinatory quality of her magic realism. A bizarre
collection of clowning mothers parade across the pages of Munro's
fiction, playing practical jokes, performing stunts, and dressing
in disguises that recycle vintage literary images. Magdalene
Redekop studies this with the aim of gaining increased
understanding of Munro's evolving comic vision.
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