Following methods known to have been adopted by Bach himself, the
exercises provided in chorale harmonization are graded in such a
way as to encourage the student to develop both technique and
imagination within a closely-defined framework. The instrumental
counterpoint section is based on Bach's two-and three-part
Inventions. By close analysis the author helps the reader to
recognize the procedures Bach adopted in various musical
situations. The exercises are taken largely from Bach's keyboard
works.
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