Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Revisiting the Music of Medieval France - From Gallican Chant to Dufay (Paperback)
Loot Price: R1,336
Discovery Miles 13 360
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Revisiting the Music of Medieval France - From Gallican Chant to Dufay (Paperback)
Series: Variorum Collected Studies
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This book presents together a number of path-breaking essays on
different aspects of medieval music in France written by Manuel
Pedro Ferreira, who is well known for his work on the medieval
cantigas and Iberian liturgical sources. The first essay is a
tour-de-force of detective work: an odd E-flat in two 16th-century
antiphoners leads to the identification of a Gregorian responsory
as a Gallican version of a seventh-century Hispanic melody. The
second rediscovers a long-forgotten hypothesis concerning the
microtonal character of some French 11th-century neumes. In the
paper "Is it polyphony?" an even riskier hypothesis is arrived at:
Do the origins of Aquitanian free organum lie on the instrumental
accompaniment of newly composed devotional versus? The Cistercian
attitude towards polyphonic singing, mirrored in musical sources
kept in peripheral nunneries, is the subject of the following
essay. The intellectual and sociological nature of the Parisian
motet is the central concern of the following two essays, which,
after a survey of concepts of temporality in the trouvere and
polyphonic repertories, establish it as the conceptual foundation
of subsequent European schools of composition. It is possible then
to assess the real originality of Philippe de Vitry and his Ars
nova, which is dealt with in the following chapter. A century
later, the role of Guillaume Dufay in establishing a chord-based
alternative to contrapuntal writing is laboriously put into
evidence. Finally, an informative synthesis is offered concerning
the mathematical underpinnings of musical composition in the Middle
Ages.
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