"The Literary Channel" defines a crucial transnational literary
"zone" that shaped the development of the modern novel. During the
first two centuries of the genre's history, Britain and France were
locked in political, economic, and military struggle. The period
also saw British and French writers, critics, and readers
enthusiastically exchanging works, codes, and theories of the
novel. Building on both nationally based literary history and
comparatist work on poetics, this book rethinks the genre's
evolution as marking the power and limits of modern cultural
nationalism.
In the Channel zone, the novel developed through interactions
among texts, readers, writers, and translators that inextricably
linked national literary cultures. It served as a forum to promote
and critique nationalist cliches, whether from the standpoint of
Enlightenment cosmopolitanism, the insurgent nationalism of
colonized spaces, or the non-nationalized culture of consumption.
In the process, the Channel zone promoted codes that became the
genre's hallmarks, including the sentimental poetics that would
shape fiction through the nineteenth century.
Uniting leading critics who bridge literary history and theory,
"The Literary Channel" will appeal to all readers attentive to the
future of literary studies, as well as those interested in the
novel's development, British and French cultural history, and
extra-national patterns of cultural exchange. Contributors include
April Alliston, Emily Apter, Margaret Cohen, Joan DeJean, Carolyn
Dever, Lynn Festa, Francoise Lionnet, Deidre Shauna Lynch, Sharon
Marcus, Richard Maxwell, and Mary Helen McMurran."
General
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