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The Gamelan Digul and the Prison-Camp Musician Who Built It - An Australian Link with the Indonesian Revolution (Hardcover, Annotated Ed)
Loot Price: R2,700
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The Gamelan Digul and the Prison-Camp Musician Who Built It - An Australian Link with the Indonesian Revolution (Hardcover, Annotated Ed)
Series: Eastman Studies in Music
Expected to ship within 10 - 15 working days
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This is the story of a particular Javanese group of 'matching'
musical instruments called the gamelan Digul, and their creator,
the Indonesian musician and political activist Pontjopangrawit
(1893-ca. 1965). He was a superb Javanese court musician, who had
entertained at the of king Paku Buwana X as a child. In this
magnificent artistic environment he learned how to build gamelans,
and also became a sought-after teacher. Involved in radical
political activities, Pontjopangrawit was arrested in 1926 for his
participation in the movement to free Indonesia from Dutch rule,
and spent the next six years in the notorious Dutch East Indies
prison camp at Boven Digul. Made in 1927 entirely from 'found'
materials in the prison camp, including pans and eating utensils,
the gamelan Digul became a symbol for the independence movement
long after Pontjopangrawit's own release in 1932. In the 1940s, it
was transported to Australia, where the Dutch and their prisoners
took refuge from the Japanese invaders. At first interned as enemy
aliens by the Australian government, the ex-Digulists were finally
released. Cultural activities within the Australian Indonesian
community involving the gamelan Digul served to create sympathy and
interest for Indonesia's independence, which was granted in 1945.
Tragically, Pontjopangrawit himself was later arrested by the
Indonesian goverment during the 1965 revolution, and died in
custody. This book's musical and political discussions will
interest all those concerned with Indonesian and Southeast Asian
music, performing arts, history and culture as well as the
beginnings of Australian-Indonesian friendship. Margaret Kartomi,
AM, FAHA, Dr. Phil, is the Professor ofMusic at Monash University.
She has published over a hundred articles and several books,
annotated CDs and LP records on the music of various parts of
Indonesia and other ethnomusicological topics. She was elected a
member of the Australian Academy of Humanities i
General
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