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Propuestas par (re)construir una nacion - El teatro de Emilia Pardo Bazan (Spanish, Paperback)
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Propuestas par (re)construir una nacion - El teatro de Emilia Pardo Bazan (Spanish, Paperback)
Series: Purdue Studies in Romance Literatures
Expected to ship within 12 - 17 working days
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Propuestas para (re)construir una nacion explores how Emilia Pardo
Bazan (1851-1921) imagines and engenders the Spanish nation in her
theatrical production staged and/or published between 1898 and
1909. In the aftermath of Spain's colonial losses, when Spain's
male authors, in a growing mood of collective introspection,
directed their attention to the homeland, Pardo Bazan generated a
series of theatrical proposals to revitalize the nation. In her
plays, she manifests her ideas about Spain's fin de siecle crisis,
reflects on Spain's place in the international arena (emphasizing
the nation's civilizing mission), critiques the intoxicating power
of the so-called golden legend (Spain's glorious past), and sees
the origin of the nation's hardship in the lack of education of its
inhabitants and in the inequality between men and women. Pardo
Bazan's vision of Spain is forward looking,and she imagines a
future in which new social configurations will be possible. Instead
of locating her plays in an ancestral Castile, she situates several
ofher works in her native Galicia. For the author, Spain's regional
issues are inseparable from the country's national issues and these
can all be traced back to the woman question. The playwright
appeals to the spectators/readers' reasonand emotions in order to
let them think and feel that the problems the nation faces can all
be attributed to the Spanish men. For Pardo Bazan, Spain's
potential for national regeneration resides in the inner strength
of women. In cross-fire with the main male players in the literary
field of her time, Pardo Bazan offers her critique of national
decadence in plays that cleverly subvert a broad range of by then
outdated theatrical conventions, and that introduce the public to
new currents of theatrical innovation (Ibsen, Maeterlinck,
d'Annunzio). Propuestas offers a new perspective on the
participation of female authors in the contentious debate about the
Spanish nation. Pardo Bazan's theater is an overlooked area in the
author's extensive creative production, and Propuestas challenges
the so often repeated topic of the backwardness of the Spanish
stage and the alleged lack of innovation during the fin de siecle.
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