"In "Passing: Identity and Interpretations in Sexuality, Race, and
Religion," editors MarA-a Carla SAnchez and Linda Schlossberg have
assembled relevant cultural criticism by 10 scholars."
--"Publishers Weekly"
"Passing is a very useful contribution to the literature both on
sexualities and the politics of identity generally...the analyses
in Passing throw light not only on minority identities but also on
more mainstream ones."
--"Sexualities 6(1)"
Passing for what you are not--whether it is mulattos passing as
white, Jews passing as Christian, or drag queens passing as
women--can be a method of protection or self-defense. But it can
also be a uniquely pleasurable experience, one that trades on the
erotics of secrecy and revelation. It is precisely passing's
radical playfulness, the way it asks us to reconsider our
assumptions and forces our most cherished fantasies of identity to
self-destruct, that is centrally addressed in Passing: Identity and
Interpretation in Sexuality, Race, and Religion.
Identity in Western culture is largely structured around
visibility, whether in the service of science (Victorian
physiognomy), psychoanalysis (Lacan's mirror stage), or philosophy
(the Panopticon). As such, it is charged with anxieties regarding
classification and social demarcation. Passing wreaks havoc with
accepted systems of social recognition and cultural
intelligibility, blurring the carefully-marked lines of race,
gender, and class.
Bringing together theories of passing across a host of
disciplines--from critical race theory and lesbian and gay studies,
to literary theory and religious studies--Passing complicates our
current understanding of the visual andcategories of identity.
Contributors: Michael Bronski, Karen McCarthy Brown, Bradley
Epps, Judith Halberstam, Peter Hitchcock, Daniel Itzkovitz, Patrick
O'Malley, Miriam Peskowitz, MarA-a C. SAnchez Linda Schlossberg,
and Sharon Ullman.
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