This project approaches four of E. L. Doctorow's novels-Welcome to
Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and
City of God (2000)-from the perspectives of feminist criticism and
trauma theory. The study springs from the assumption that
Doctorow's literary project is eminently ethical and has an
underlying social and political scope. This crops up through the
novels' overriding concern with injustice and their engagement with
the representation of human suffering in a variety of forms. The
book puts forward the claim that E.L. Doctorow's literary
project-through its representation of psychological trauma and its
attitude towards gender-may be understood as a call to action
against both each individual's indifference and the wider social
and political structures and ideologies that justify and/or
facilitate the injustices and oppression to which those who are
situated at the margins of contemporary US society are subjected.
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