This book is based on an investigation of more than five hundred
recarved portraits. It includes analyses of different recarving
methods, some of which can be attributed to geographically
localised workshops. The different recarving methods have made it
possible to suggest classifiable categories, which together
underpin a hypothesis that the late-antique portrait style is a
consequence of the many recarved portraits at the time. The
practice of portrait recarving emerged due to economic, political,
religious and ideological factors, and was influenced by the
cultural-historical changes of Late Antiquity. The conclusion gives
a new understanding of how wide-ranging, culturally and politically
encoded and comprehensive the practice of recarving was.
General
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