Mark C. Taylor provocatively claims that contemporary art has
lost its way. With the art market now mirroring the art of finance,
many artists create works solely for the purpose of luring
investors and inspiring trade among hedge funds and private equity
firms. When art is commodified, corporatized, and financialized, it
loses its critical edge and is transformed into a financial
instrument calculated to maximize profitable returns.
Joseph Beuys, Matthew Barney, James Turrell, and Andy
Goldsworthy are artists who differ in style, yet they all defy the
trends that have diminished art's potential in recent decades. They
understand that art is a transformative practice drawing
inspiration directly and indirectly from ancient and modern,
Eastern and Western forms of spirituality. For Beuys,
anthroposophy, alchemy, and shamanism drive his multimedia
presentations; for Barney and Goldsworthy, Celtic mythology informs
their art; and for Turrell, Quakerism and Hopi myth and ritual
shape his vision.
Eluding traditional genres and classifications, these artists
combine spiritually inspired styles and techniques with material
reality, creating works that resist merging space into cyberspace
in a way that overwhelms local contexts with global networks. Their
art reminds us of life's irreducible materiality and humanity's
inescapability of place. For them, art is more than just an object
or process -- it is a vehicle transforming human awareness through
actions echoing religious ritual. By lingering over the
extraordinary work of Beuys, Barney, Turrell, and Goldsworthy,
Taylor not only creates a novel and personal encounter with their
art but also opens a new understanding of overlooked spiritual
dimensions in our era.
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