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Something We Have That They Don'T - British and American Poetic Relations since 1925 (Hardcover, New)
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Something We Have That They Don'T - British and American Poetic Relations since 1925 (Hardcover, New)
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There is some connexion
(I like the way the English spell it
They're so clever about some things
Probably smarter generally than we are
Although there is supposed to be something
We have that they don''t--'don't ask me
What it is. . . .)
--John Ashbery, "Tenth Symphony"
"Something We Have That They Don't" presents a variety of essays
on the relationship between British and American poetry since 1925.
The essays collected here all explore some aspect of the rich and
complex history of Anglo-American poetic relations of the last
seventy years. Since the dawn of Modernism poets either side of the
Atlantic have frequently inspired each other's developments, from
Frost's galvanizing advice to Edward Thomas to rearrange his prose
as verse, to Eliot's and Auden's enormous influence on the poetry
of their adopted nations ("whichever Auden is," Eliot once replied
when asked if he were a British or an American poet, "I suppose, I
must be the other"); from the impact of Charles Olson and other
Black Mountain poets on J. H. Prynne and the Cambridge School, to
the widespread influence of Frank O'Hara and Robert Lowell on a
diverse range of contemporary British poets. Clark and Ford's study
aims to chart some of the currents of these ever-shifting
relations. Poets discussed in these essays include John Ashbery, W.
H. Auden, Elizabeth Bishop, T. S. Eliot, Mark Ford, Robert Graves,
Thom Gunn, Lee Harwood, Geoffrey Hill, Michael Hofmann, Susan Howe,
Robert Lowell, and W. B. Yeats.
"Poetry and sovereignty," Philip Larkin remarked in an interview
of 1982, "are very primitive things": these essays consider the
ways in which even seemingly very "unprimitive" poetriescan be seen
as reflecting and engaging with issues of national sovereignty and
self-interest, and in the process they pose a series of fascinating
questions about the national narratives that currently dominate
definitions of the British and American poetic traditions.
This innovative and exciting new collection will be of great
interest to students and scholars of British and American poetry
and comparative literature.
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