From early silent features like The Lodger and Easy Virtue to his
final film, Family Plot, in 1976, most of Alfred Hitchcock s movies
were adapted from plays, novels, and short stories. Hitchcock
always took care to collaborate with those who would not just
execute his vision but shape it, and many of the screenwriters he
enlisted including Eliot Stannard, Charles Bennett, John Michael
Hayes, and Ernest Lehman worked with the director more than once.
And of course Hitchcock s wife, Alma Reville, his most constant
collaborator, was with him from the 1920s until his death. In
Hitchcock and Adaptation: On the Page and Screen, Mark Osteen has
assembled a wide-ranging collection of essays that explore how
Hitchcock and his screenwriters transformed literary and theatrical
source material into masterpieces of cinema. Some of these essays
look at adaptations through a specific lens, such as queer
aesthetics applied to Rope, Strangers on a Train, and Psycho, while
others tackle the issue of Hitchcock as author, auteur, adaptor,
and, for the first time, present Hitchcock as a literary source.
Film adaptations discussed in this volume include The 39 Steps,
Shadow of a Doubt, Lifeboat, Rear Window, Vertigo, Marnie, and
Frenzy. Additional essays analyze Hitchcock-inspired works by W. G.
Sebald, Don DeLillo, Bret Easton Ellis, and others. These close
examinations of Alfred Hitchcock and the creative process
illuminate the significance of the material he turned to for
inspiration, celebrate the men and women who helped bring his
artistic vision from the printed word to the screen, and explore
how the director has influenced contemporary writers. A fascinating
look into an underexplored aspect of the director s working
methods, Hitchcock and Adaptation will be of interest to film
scholars and fans of cinema s most gifted auteur."
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