Danilo Kis (1935 89) was a Yugoslav novelist, essayist, poet,
and translator whose work generated storms of controversy in his
homeland but today holds classic status. Kis was championed by
prominent literary figures around the world, including Joseph
Brodsky, Susan Sontag, Milan Kundera, Philip Roth, Nadine Gordimer,
and Salman Rushdie. As more of his works become available in
translation, they are prized by an international readership drawn
to Kis's innovative brilliance as a storyteller and to his profound
meditation on history, culture, and the human condition at the end
of the twentieth century.
A subtle analysis of a rich and varied body of writing, Birth
Certificate is also a careful and sensitive telling of a life that
experienced some of the last century's greatest cruelties. Kis's
father was a Hungarian Jew, his mother a Montenegrin of Orthodox
faith. The father disappeared into the Holocaust and the son
cosmopolitan, anticommunist, and passionately opposed to the
myth-drenched nationalisms of his native lands grew up chafing
against the hypocrisies of Titoism. His writing broke with the epic
mode, pioneered modernist techniques in his language, fulminated
against literary kitsch, and sketched out a literary heritage "with
no Sun as its Center and Tyrant." Joyce and Borges were influences
on his writing, which nevertheless is stunningly original. The best
known of his works are Garden, Ashes; The Encyclopedia of the Dead;
Hourglass; The Anatomy Lesson; and A Tomb for Boris Davidovich.
Over the course of nearly two decades, Mark Thompson studied
Kis's papers and interviewed his family members, friends, and
admirers. His intimate understanding of the writer s life and his
sure grasp of the region s history inform his revelatory readings
of Kis s individual works.More than an appreciation of an important
literary and cultural figure, this book is also a compelling guide
to the destructive policies which would, shortly after Kis s death,
generate the worst violence in Europe since World War II. Thompson
s book pays tribute to Kis s experimentalism by being itself
experimental in form. It is patterned as a series of commentaries
on a short autobiographical text that Kis called "Birth
Certificate." This unusual structure adds to the interest and
intrigue of the book, and is appropriate for treating so
autobiographical a writer who believed that literary meaning is
always deeply shaped by other texts."
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