This book brings together an exceptional array of interviews,
profiles, and press conferences tracing the half century that Orson
Welles (1915- 1985) was in the public eye. Originally published or
broadcast between 1938 and 1989 in worldwide locations, these
pieces confirm that Welles's career was multidimensional and
thoroughly inter-woven with Welles's persona.
Several of them offer vivid testimony to his grasp on the public
imagination in Welles's heyday, including accounts of his "War of
the Worlds" broadcast. Some interviews appear in English for the
first time. Two transcriptions of British television interviews
have never before appeared in print. Interviewers include Kenneth
Tynan, French critic Andre Bazin, and Gore Vidal.
The subjects center on the performing arts but also embrace
philosophy, religion, history, and, especially, American society
and politics. Welles confronts painful topics: the attempts to
suppress "Citizen Kane," RKO's mutilation of "The Magnificent
Ambersons," his loss of directorial authority, his regret at never
having run for political office, and his financial struggles. "I
would have sold my soul" to play Marlon Brando's role as Don
Corleone in "The Godfather," he tells a BBC interviewer.
Welles deflates the notion of the film director's omnipotence,
insisting that it is only in the editing studio that he possesses
"absolute control." With scholarly erudition, Welles revels in the
plays of Shakespeare and discusses their adaptation to stage and
screen. He assesses rival directors and eminent actors, offers
penetrating analyses of "Citizen Kane," "Touch of Evil," "Chimes at
Midnight," and "The Third Man," and declares that he never made a
film that lacked an ethical point-of-view. These conversations
reveal the majestic mind and talent of Welles from a fresh
perspective.
 Mark W. Estrin, a professor of English and film studies at
Rhode Island College, is editor of "Conversations with Eugene
O'Neill" (University Press of Mississippi) and "Critical Essays on
Lillian Hellman" and the author of numerous articles on film and
dramatic literature.
                 
                    
                
                
                    
                    
                        
                            
                            
                            
                        
	
	
		
	
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