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Forgetting Lot's Wife - On Destructive Spectatorship (Paperback)
Loot Price: R1,170
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Forgetting Lot's Wife - On Destructive Spectatorship (Paperback)
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Can looking at disaster and mass death destroy us? Forgetting Lotas
Wife provides a theory and a fragmentary history of destructive
spectatorship in the twentieth century. Its subject is the notion
that the sight of historical catastrophe can destroy the spectator.
The fragments of this history all lead back to the story of Lotas
wife: looking back at the destruction of the cities of Sodom and
Gomorrah, she turns into a pillar of salt. This biblical story of
punishment and transformation, a nexus of sexuality, sight, and
cities, becomes the template for the modern fear that looking back
at disaster might petrify the spectator. Although rarely
articulated directly, this idea remains powerful in our culture.
This book traces some of its aesthetic, theoretical, and ethical
consequences. Harries traces the figure of Lotas wife across media.
In extended engagements with examples from twentieth-century
theater, film, and painting, he focuses on the theatrical theory of
Antonin Artaud, a series of American films, and paintings by Anselm
Kiefer. These examples all return to the story of Lotas wife as a
way to think about modern predicaments of the spectator. On the one
hand, the sometimes veiled figure of Lotas wife allows these
artists to picture the desire to destroy the spectator; on the
other, she stands as a sign of the potential danger to the
spectator. These works, that is, enact critiques of the very desire
that inspires them.The book closes with an extended meditation on
September 11, criticizing the notion that we should have been
destroyed by witnessing the events of that day.
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