Spanning four decades of radical political and social change in
Italy, this interdisciplinary study explores photography's
relationship with Italian painting, film, literature,
anthropological research and international photography. Evocative
and powerful, Italian social documentary photography from the 1930s
to the 1960s is a rich source of cultural history, reflecting a
time of dramatic change. This book shows, through a wide range of
images (some published for the first time) that to fully understand
the photography of this period we must take a more expansive view
than scholars have applied to date, considering issues of
propaganda, aesthetics, religion, national identity and
international influences. By setting Italian photography against a
backdrop of social documentary and giving it a distinctive place in
the global history of photography, this exciting volume of original
research is of interest to art historians and scholars of Italian
and visual culture studies.
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