If the modern Western novel is linked to the rise of a literate
bourgeoisie with particular social values and narrative
expectations, to what extent can that history of the novel be
anticipated in non-Western contexts? In this bold, insightful work
Mary Layoun investigates the development of literary practice in
the Greek, Arabic, and Japanese cultures, which initially
considered the novel a foreign genre, a cultural accoutrement of
"Western" influence. Offering a textual and contextual analysis of
six novels representing early twentieth-century and contemporary
literary fiction in these cultures, Layoun illuminates the networks
of power in which genre migration and its interpretations have been
implicated. She also examines the social and cultural practice of
constructing and maintaining narratives, not only within books but
outside of them as well. In each of the three cultural traditions,
the literary debates surrounding the adoption and adaption of the
modern novel focus on problematic formulations of the "modern"
versus the "traditional," the "Western" and "foreign" versus the
"indigenous," and notions of the modern bourgeois subject versus
the precapitalist or precolonial subject. Layoun textually situates
and analyzes these formulations in the early twentieth-century
novels of Alexandros Papadiamandis (Greece), Yahya Haqqi (Egypt),
and Natsume Soseki (Japan) and in the contemporary novels of
Dimitris Hatzis (Greece), Ghassan Kanafani (Palestine), and Oe
Kenzaburo (Japan).
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand
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