The author shows how journalists abandon their watchdog role,
however unintentionally, to support 'our side', for example in the
1991 Gulf War. This book demonstrates how readers and viewers are
also implicated by virtue of their expectations and their inability
to decode the press critically. Examples are provided of how
conflict may be otherwise depicted, for example by artists and
front-line participants, as well as how media-literate readers can
learn to read between the lines.
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