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Hollywood in Havana - US Cinema and Revolutionary Nationalism in Cuba before 1959 (Paperback)
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Hollywood in Havana - US Cinema and Revolutionary Nationalism in Cuba before 1959 (Paperback)
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In the 1940s and '50s, Havana was a locus for American movie stars,
with glamorous visitors including Errol Flynn, Bette Davis, Joan
Crawford, and Marlon Brando. In fact, Hollywood was seemingly
everywhere in pre-Castro Havana, with movie theaters three to a
block in places, widely circulated silver screen fanzines, and
terms like "cowboy" and "gangster" becoming part of Cuban
vernacular speech. Hollywood in Havana takes this historical
backdrop as the catalyst for a startling question: Did exposure to
half a century of Hollywood pave the way for the Cuban Revolution
of 1959? Megan Feeney argues that American movies helped condition
Cuban audiences to expect and even demand purer forms of Cuban
democracy and national sovereignty after seeing freedom-fighting
and rebellious values and behaviors on display in wartime dramas
and film noirs. At the same time, influential Cuban intellectuals
worked to translate cinematic ethics into revolutionary
rhetoric--which, ironically, led to pointed critiques of the US
presence in Cuba and which were eventually used to subvert American
foreign policy. Hollywood in Havana adds to our evolving notions of
how American cinema has been internalized and localized around the
world, while also broadening our views of the ongoing history of
US-Cuban interactions, both cultural and political.
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