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Ideologies of the Real in Title Sequences, Motion Graphics and Cinema (Hardcover)
Loot Price: R4,151
Discovery Miles 41 510
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Ideologies of the Real in Title Sequences, Motion Graphics and Cinema (Hardcover)
Series: Routledge Studies in Media Theory and Practice
Expected to ship within 12 - 17 working days
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This book explores the question of realism in motion pictures.
Specifically, it explores how understanding the role of realism in
the history of title sequences in film can illuminate discussions
raised by the advent of digital cinema. Ideologies of the Real in
Title Sequences, Motion Graphics and Cinema fills a critical and
theoretical void in the existing literature on motion graphics.
Developed from careful analysis of Andre Bazin, Stanley Cavell, and
Giles Deleuze's approaches to cinematic realism, this analysis uses
title sequences to engage the interface between narrative and
non-narrative media to consider cinematic realism in depth through
highly detailed close readings of the title sequences for Bullitt
(1968), Kolchak: The Night Stalker (1974), The Number 23 (2007),
The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond
films. From this critique, author Michael Betancourt develops a
modal approach to cinematic realism where ontology is irrelevant to
indexicality. His analysis shows the continuity between historical
analogue film and contemporary digital motion pictures by
developing a framework for rethinking how realism shapes
interpretation.
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