"It is hard for me to praise this book sufficiently. . . . It is a
major contribution to the field of Oaxacan/Mexican studies, as well
as economic anthropology and the study of tourism and crafts." --
Arthur Murphy, Georgia State University, coauthor of Social
Inequality in Oaxaca: A History of Resistance and Change
Since the mid-1980s, whimsical, brightly colored wood carvings
from the Mexican state of Oaxaca have found their way into gift
shops and private homes across the United States and Europe, as
Western consumers seek to connect with the authenticity and
tradition represented by indigenous folk arts. Ironically, however,
the Oaxacan wood carvings are not a traditional folk art. Invented
in the mid-twentieth century by non-Indian Mexican artisans for the
tourist market, their appeal flows as much from intercultural
miscommunication as from their intrinsic artistic merit.
In this beautifully illustrated book, Michael Chibnik offers
the first in-depth look at the international trade in Oaxacan wood
carvings, including their history, production, marketing, and
cultural representations. Drawing on interviews he conducted in the
carving communities and among wholesalers, retailers, and
consumers, he follows the entire production and consumption cycle,
from the harvesting of copal wood to the final purchase of the
finished piece. Along the way, he describes how and why this
"invented tradition" has been promoted as a "Zapotec Indian" craft
and explores its similarities with other local crafts with longer
histories. He also fully discusses the effects on local communities
of participating in the global market, concluding that the trade in
Oaxacan wood carvings is an almostparadigmatic case study of
globalization.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!