It was during the Renaissance period that sculptors' models,
together with drawings, were first assembled by avid collectors
fascinated by the tangible evidence of the creative process of the
artist. This fully illustrated collection of essays, by
distinguished scholars and experts in the field, focuses on the
process of sculptural design in fifteenth- and sixteenth-century
Europe. The publication arises from a 2017 conference, and is the
third and final Robert H. Smith Renaissance Sculpture volume.
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