This volume provides a comprehensive introduction to foundational
topics in sound design for linear media, such as listening and
recording; audio postproduction; key musical concepts and forms
such as harmony, conceptual sound design, electronica, soundscape,
and electroacoustic composition; the audio commons; and sound's
ontology and phenomenology. The reader will gain a broad
understanding of the key concepts and practices that define sound
design for its use with moving images as well as important forms of
composed sound. The chapters are written by international authors
from diverse backgrounds who provide multidisciplinary perspectives
on sound in its linear forms. The volume is designed as a textbook
for students and teachers, as a handbook for researchers in sound,
media and experience, and as a survey of key trends and ideas for
practitioners interested in exploring the boundaries of their
profession.
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