Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Hildegard von Bingen's Ordo Virtutum - A Musical and Metaphysical Analysis (Hardcover)
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Hildegard von Bingen's Ordo Virtutum - A Musical and Metaphysical Analysis (Hardcover)
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The Ordo Virtutum, Hildegard von Bingen's twelfth-century
music-drama, is one of the first known examples of a large-scale
composition by a named composer in the Western canon. Not only does
the Ordo's expansive duration set it apart from its precursors, but
also its complex imagery and non-biblical narrative have raised
various questions concerning its context and genre. As a poetic
meditation on the fall of a soul, the Ordo deploys an array of
personified virtues and musical forces over the course of its
eighty-seven chants. In this ambitious analysis of the work,
Michael C. Gardiner examines how classical Neoplatonic hierarchies
are established in the music-drama and considers how they are
mediated and subverted through a series of concentric absorptions
(absorptions related to medieval Platonism and its various
theological developments) which lie at the core of the work's
musical design and text. This is achieved primarily through
Gardiner's musical network model, which implicates mode into a
networked system of nodes, and draws upon parallels with the
medieval interpretation of Platonic ontology and Hildegard's
correlative realization through sound, song, and voice.
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