Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
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Ear Training for Twentieth-Century Music (Paperback, New)
Loot Price: R764
Discovery Miles 7 640
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Ear Training for Twentieth-Century Music (Paperback, New)
Expected to ship within 12 - 17 working days
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Donate to Against Period Poverty
Total price: R784
Discovery Miles: 7 840
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How can the musician's ear penetrate the complexities and
theoretical abstractions of the twentieth-century music? This book
offers a solution: it enables the student to perceive essential
musical connections at the core of modern music by identifying and
drilling the distinctive structures and processes of the twentieth
century's greatest composers. Michael L. Friedmann has developed
and successfully tested a method that combines theory and exercises
to give students a deeper understanding of modern music. Using
musical examples from the works of Debussy, Bartok, Choenberg, and
Stravinsky, Friedmann begins with extensive work in sight-singing
and dictation. The chapters that follow develop clear, multifaceted
approaches to intervals and dyads, transposition and inversion,
melodic contour, and three-and four-element set classes. In these
chapters Friedmann offers students opportunities not just to
identify the twelve trichord and twenty-nine tetrachord types, but
to explore their structural possibilities. He also demonstrates the
relation of these set classes to the diatonic, whole-tone, and
octatonic scales. Finally, Friedmann introduces set classes of more
than four elements, as well as twentieth-century modes. The book
provides a wealth of musical excerpts including melodies composed
by the author himself-to test analytic listening ability and to
make the student with each set class.
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