Michael Leyton has developed new foundations for geometry in
which shape is equivalent to memory storage. A principal argument
of these foundations is that artworks are maximal memory stores.
The theory of geometry is developed from Leyton's fundamental laws
of memory storage, and this book shows that these laws determine
the structure of paintings. Furthermore, the book demonstrates that
the emotion expressed by a painting is actually the memory
extracted by the laws. Therefore, the laws of memory storage allow
the systematic and rigorous mapping not only of the compositional
structure of a painting, but also of its emotional expression. The
argument is supported by detailed analyses of paintings by Picasso,
Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling,
Balthus and Holbein.
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