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Fallen Nature, Fallen Selves - Early Modern French Thought II (Hardcover, New) Loot Price: R5,482
Discovery Miles 54 820
Fallen Nature, Fallen Selves - Early Modern French Thought II (Hardcover, New): Michael Moriarty

Fallen Nature, Fallen Selves - Early Modern French Thought II (Hardcover, New)

Michael Moriarty

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Loot Price R5,482 Discovery Miles 54 820 | Repayment Terms: R514 pm x 12*

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From the late sixteenth to the late seventeenth centuries, French writing is especially concerned with analyzing human nature. The ancient ethical vision of man's nature and goal (we achieve fulfillment by living our lives according to reason, the highest and noblest element of our nature) survives, even, to some extent, in Descartes. But it is put into question especially by the revival of St. Augustine's thought, which focuses on the contradictions and disorders of human desires and aspirations. Analyses of behavior display a powerful suspicion of appearances. Human beings are increasingly seen as motivated by self-love: they are driven by the desire for their own advantage, and take a narcissistic delight in their own image. Moral and religious writers re-emphasize the traditional imperative of self-knowledge, but in such a way as to suggest the difficulties of knowing oneself. Operating with the Cartesian distinction between mind and body, they emphasize the imperceptible influence of bodily processes on our thought and attitudes. They analyze human beings' ignorance (due to self-love) of their own motives and qualities, and the illusions under which they live their lives. Their critique of human behavior is no less searching than that of writers who have broken with traditional religious morality, such as Hobbes and Spinoza. A wide range of authors is studied, some well-known, others much less so: the abstract and general analyses of philosophers and theologians (Descartes, Jansenius, Malebranche) are juxtaposed with the less systematic and more concrete investigations of writers like Montaigne and La Rochefoucauld, not to mention the theatre of Corneille, Moliere, and Racine.

General

Imprint: Oxford UniversityPress
Country of origin: United Kingdom
Release date: May 2006
First published: July 2006
Authors: Michael Moriarty
Dimensions: 223 x 146 x 30mm (L x W x T)
Format: Hardcover
Pages: 450
Edition: New
ISBN-13: 978-0-19-929103-8
Categories: Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > History of ideas, intellectual history
Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > General
Books > Humanities > Religion & beliefs > Aspects of religions (non-Christian) > Theology > General
Books > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > General
Books > Religion & Spirituality > Aspects of religions (non-Christian) > Theology > General
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LSN: 0-19-929103-9
Barcode: 9780199291038

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