The Birdsong Papers, which appeared in 1896 as Die Akten des
Vogelsangs, was Wilhelm Raabe's next-to-last completed narrative.
What might be called an anti-Bildungsroman, it is widely considered
to be the work that secures Raabe's place as a precursor of German
modernist fiction writers. Its tone is critical of
late-nineteenth-century society, both German and American, with its
industrial expansion, urbanization, pursuit of wealth, and erosion
of conventional values; but this critical tone also produces an
uneasy tension for its narrator, Karl Krumhardt, a high-ranking
bureaucrat with a stake in the stability of that society. It is
against that social-critical background that Krumhardt's Papers
record a coming to terms with a subject - his longtime friend
Velten Andres - whose life both fascinates and profoundly unsettles
him.
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