This is the first critical study of Stephen Crane's nonfiction work
-- his urban reportage, travel writing, and war correspondence.
Going beyond biography and literary criticism to trace a literary
revolution that is a resonating strain in the genealogy of modern
American literature, Robertson reveals the broad climate of change
that had begun to blur the line between nonfiction writing and
fiction in Crane's era. He also explores the life of two writers
directly influenced by Crane: Ernest Hemingway and Theodore
Dreiser.
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