This text offers an assessment of Jean-Paul Sartre as an exemplary
figure in the evolving political and cultural landscape of
post-1945 France. Sartre's originality is located in the tense
relationship that he maintained between deeply held revolutionary
political beliefs and a residual yet critical attachment to
traditional forms of cultural expression. A series of case studies
centred on Gaullism, communism, Maoism (Part 1), the theatre, art
criticism and the media (Part 2), illustrate the continuing
relevance and appeal of Sartre to the contemporary world.
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